USCIS / DHS, 2023 to Present
U.S. Citizenship and Immigration Services

First Design System Program Manager — and Acting Design Leader

Opportunity

USCIS had no design operations function. There was no component library, no governance framework, no shared tooling, and no design community across 18 siloed delivery teams. The role of Design System Program Manager did not exist before I was hired to create it.

Action

I built the function from the ground up. When my branch chief went on a six-month detail, I stepped into an expanded leadership role — meeting individually with all design teams and product managers across the organization to ensure work was being delivered to our standards, maintaining design governance, and keeping the program moving without interruption. I was the design voice at the leadership level while also continuing to execute on the full program.

Results

Zero loss of momentum during the leadership gap. Every initiative — the component library, design critiques, compliance audits, playbooks, and the CTO-commissioned journey mapping — continued on schedule. The organization did not lose a step.

U.S. Citizenship and Immigration Services

USCIS Component Library and Figma Transformation

Opportunity

USCIS had 100+ designers working in fragmented tools with no shared component system and no way to ensure consistency across public-facing products. Getting a commercial design tool like Figma approved and operational inside a federal agency is not a simple procurement — it requires navigating IT security reviews, legal approvals, SSO integration, and whitelisting processes that can take months or fail entirely.

Action

I drove the entire Figma adoption from start to finish — authoring the procurement requirements, managing IT and security approvals, working directly with Figma's team to get the platform whitelisted and SSO implemented in the federal environment, and personally onboarding 100+ designers. I then built the USCIS Figma Component Library: a 508-compliant system of reusable components that became the agency's single source of truth. I serve as Figma administrator and plugin approver for 1,000+ non-design users across USCIS.

Results

The library eliminated redundant work across 18 delivery teams, standardized accessibility compliance across the full portfolio, and has been adopted by DHS headquarters as the shared foundation for the broader federal design ecosystem. The release of Design System 2.0 established it as a stable, scalable platform for the agency's long-term design work.

100+
Designers onboarded to unified Figma
1,000+
Non-design Figma users across USCIS
18
Delivery teams now sharing a single source of truth
U.S. Citizenship and Immigration Services

Building a Design Culture From Nothing

Opportunity

Designers across USCIS worked in siloed contractor teams with no awareness of each other's work, no shared critique practice, and no design community. There was no mechanism for quality control, no peer review, and no shared standards. Design happened in isolation on every team.

Action

I built a cohesive, collaborative design culture from the ground up — launching the Design System Working Group as the governance backbone, a cross-team Figma Fridays critique, a Solo Crit program for designers working as a team of one, and 1:1 design lead syncs as regular operational touchpoints. I authored the USCIS Design Crit Handbook and USCIS Design Quality Playbook — the first resources of their kind in the post-18F federal design landscape — and share them actively with other agencies filling the gap left by 18F's disbanding.

Results

A connected design community with shared standards, shared tools, and genuine visibility into each other's work — across 18 teams that previously operated in complete isolation. Colleagues across USCIS and partner agencies regularly seek me out for accessibility and design guidance. The work now extends beyond USCIS walls.

U.S. Citizenship and Immigration Services

First-Ever USWDS Compliance Audit Cycle

USCIS OIT TechTalk slides: 21st Century IDEA and USWDS Adoption across USCIS public-facing sites

OIT TechTalk slides — 21st Century IDEA & USWDS Adoption, May 2024.

Opportunity

Federal websites are legally required to adhere to the U.S. Web Design System (USWDS) under the 21st Century IDEA Act — but compliance had never been formally evaluated across USCIS's full portfolio. Teams were building without a clear standard and without any feedback loop. The legal exposure was real and unaddressed.

Action

I designed and led the agency's first comprehensive audit cycle — reviewing all public-facing sites and applications for USWDS compliance, accessibility gaps, and design quality, then translating findings into actionable remediation guidance for each team. I presented findings agency-wide as part of the OIT TechTalk program, putting the work in front of the full Office of Information Technology.

Results

Concrete remediation priorities identified across the full product portfolio for the first time in the agency's history. A repeatable evaluation framework established for ongoing compliance maturity. Legal risk surfaced and addressed before it became a liability.

U.S. Citizenship and Immigration Services

Lifting the Bar on Accessibility

Opportunity

508 compliance is the floor, not the ceiling. Federal teams treat accessibility as a checkbox audited at the end of a project — but the gap between technically compliant and actually usable is enormous, especially for the immigrant populations USCIS serves: people navigating complex legal processes in a second language, on mobile devices, often under significant stress.

Action

I led multiple initiatives to raise the bar: coaching designers on integrating accessibility upstream, building a11y review into design crits and approval workflows, consulting directly with the 508 auditing team to identify gaps, and inviting a 508 auditing expert to present firsthand to our team. I established USCIS as an accessibility authority across the federal design community.

Results

Recognition from the Army Corps of Engineers for the accessibility standards work coming out of USCIS — crossing agency boundaries and influencing practice beyond our own walls. Colleagues from other federal agencies regularly seek out USCIS's approach as a model. For me, accessibility and equity are the same commitment: designing for all people, not just the ones who are easiest to design for.

U.S. Citizenship and Immigration Services

USCIS.gov — Serving Millions at Stake

Opportunity

USCIS.gov is not a typical government website. It serves millions of immigrants, applicants, and families navigating life-altering legal processes — 5,000+ pages, 33,000+ page views per hour, 65% on mobile. A confusing form, an inaccessible interface, or a poorly worded piece of content can have real consequences for someone's immigration case, family reunification, or path to citizenship.

Action

I partner with designers across delivery teams to provide guidance on content strategy, plain language, information architecture, and design best practices — serving as an embedded quality partner and design standard-bearer across the full portfolio.

Results

Teams equipped to build equitable experiences that work for everyone who depends on them — regardless of language, literacy level, device, or ability. Designing only for the easy case isn't good enough when the stakes are a visa application or a citizenship petition.

5,000+
Pages on USCIS.gov
33K+
Page views per hour at peak
65%
Of visitors on mobile devices
U.S. Citizenship and Immigration Services

First-Ever End-to-End Journey Mapping Initiative

Opportunity

USCIS had never formally documented the end-to-end applicant experience. Leadership had no holistic view of how an applicant navigates the system from initial filing through final decision — making it impossible to identify systemic gaps, prioritize improvements, or understand where the human experience breaks down. This gap existed for the entire history of the agency.

Action

By special request of the CTO and commissioned by the incoming CIO, I am leading the agency's first-ever end-to-end journey mapping initiative. I completed the I-130 (family petition) flow and am now building the N-400 (naturalization) experience on that foundation, capturing both the external applicant journey and the internal USCIS staff and systems that support it.

Results

What began as a journey map has grown into full service blueprints — surfacing systemic gaps and opportunities that have never been formally documented, and giving leadership a strategic view of the applicant experience that did not previously exist. A foundational artifact the agency will use to prioritize improvements for years to come.

IBM, 2013 to 2022
IBM Design

IBM CloudPak, Design Systems, Governance and AI Products

Hope Turner's IBM Design team working together in the IBM Austin studio

IBM Design team working session — Austin studio.

Opportunity

IBM CloudPak for Automation was a complex SaaS suite spanning multiple legacy on-premise products being transformed into a unified cloud experience — with no consistent design standards, no accessibility framework, and no research program to ground design decisions in real user needs.

Action

Over seven years I worked across the full IBM design stack: designing AI-powered prototypes and enterprise UX solutions for clients in the US, Canada, and UK on the Watson Implementations Team; driving platform-wide consistency on CloudPak as Senior UX Design Lead; building a research program from nothing; and serving as Accessibility Focal — coaching designers, running WCAG audits, and embedding a11y into the design process.

Results

A solo Watson demo secured a $16M IBM contract. The research program engaged 25+ external client participants within its first year. Accessibility became a design practice rather than a compliance checkbox. I achieved IBM Enterprise Design Thinking Coach level — the highest practitioner certification — and mentored new hires through the Patterns Program.

"Your design work was amazing for the Commercial Mortgage Loan Advisor at client 'Norbury'... You designed an evidence-backed interface that let users explore and evaluate at various levels. Your work was world-class design work and spotlighted the kind of expertise IBM brought to this $16M contract. I'm glad we got to work together and glad for what I learned from you."

Andrew R. Freed  ·  Senior Technical Staff Member & Master Inventor, IBM Expert Labs  ·  Author, Conversational AI and Effective Conversational AI (Manning Publications)
Earlier Career, Entertainment, Advertising and Digital

Where It Started

I was doing motion graphics and interactive design before the discipline had a name. In the early days of interactive digital design there were no established playbooks, just creative people, new tools, and the constant challenge of figuring out what this medium could do.

Hope Turner's credential badges from 1996–1999 — 1996 Atlanta Olympics, IBM Interactive Media, and Super Bowl XXXII press credential
Broadcast and Motion Graphics1996 Atlanta Olympics, Atlanta Braves, and Coca-Cola Brasil national television campaigns through McCann-Erikson Rio; Diet Coke broadcast spot for the Grammys
Entertainment and Sports WebTurner Classic Movies, WWF, Superbowl.com, USOpen.com, Wimbledon.com, Grammys.com
Turner Classic Movies website — 31 Days of Oscar interactive section, February 2000

TCM.com — 31 Days of Oscar, 2000

Web design in 2000 meant tables, 72dpi graphics, and dial-up download budgets. There were no frameworks, no design systems, and no established discipline — just designers figuring out what this new medium could do.

Financial ServicesJohn Hancock, Washington Mutual
Interactive and ExperientialTouchscreen kiosk for Chrysler at Mall of America; in-store kiosk for K-Mart
Advertising and BrandEnfatico (Dell/WPP), The Coca-Cola Company, WebMD
Super Bowl XXXII logo — San Diego, January 25, 1998
Super Bowl, On Site with IBM Cybercasting

For the Super Bowl I was part of IBM's on-site Cybercasting crew in San Diego, working from the press conference center where players and media converged throughout the week. Our job was updating Superbowl.com live as the event unfolded, and what we were doing was novel enough that CBS News came through and filmed us for the evening news. It was early proof that digital publishing could be as real-time and high-stakes as broadcast.

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